Ink Films is a film production company based in Leeds & London. The identity was designed to root the brand firmly within the film & television industry. Using visual cues from the design language of film & television, it implies an intimate knowledge of the industry, history and process of film production. The identity was then applied across all areas of the business, including online. Designed by R.I.S Projects.
Project made for the creative agency Caperock.tv from Netherlands, they called me to make two idents for Ziggo, the largest Dutch cable television distributor. Designed by Javier Tommasi.
“Umm” is a signature gastrobar offering a fine-dining experience. The onomatopoeias of gastronomic pleasure are the driving force behind its identity. Designed by Moruba.
Tidepool is building a platform and suite of apps to make type 1 diabetes management more effective. By connecting separate devices and resources, Tidepool is putting critical information into the hands of the people who need it most: patients, their families and their doctors. Moniker worked with Tidepool to develop a visual identity system – based on the idea of connecting the dots – across their entire brand communications.
A churro, sometimes referred to as a Spanish doughnut, is a fried-dough pastry—predominantly choux—based snack. They are normally eaten for breakfast dipped in hot chocolate. Comaxurros is a new Barcelona place specialized in fried dough pastry, where the star product is the typical Churro. Brosmind created an illustration in which you can find all the different products involved in crazy and funny situations.
Shite wine label design for SEPO. Designed by Lo Siento.
Slåke celebrates their 75th anniversary with a vision to work on new classics in Nordic design. The team consists of young, innovative designers that safeguard the heritage and unites past and future. In this occasion they also wanted to refresh their visual identity. Inspired by Scandinavian design traditions we created a minimalist expression to reinforce its focus on their products. The colors are inspired from the nature in Hjelmeland; -sun, sky, mountains, cropland, grass, sand and sea. As a counterbalance to an otherwise tight visual profile, the circle is used to provide a contrast in both shape and color. Designed by Ghost.
Corporate design relaunch, in collaboration with “Created by Monkeys”. Designed by Bureau Hardy Seiler.
John Patrick prides himself on being highly ethical in his practice, and so his brand has been constructed in the same way. Very little ink is used, whilst an embossing seal leaves a mark but no mis-use of ink. The choice of stock varies for the estimated levels of production. Stock used for things printed at mass (eg. the labels) are printed on Lokta paper, from a Nepalese Lokta tree, which grows from the roots up after being cut. This allows John Patrick to be just as sustainable with his promotion as he is with his own fashion practice. With each sheet bought, 25% of the profit goes to a Nepalase charity.
The logo uses ambiguous organic form, being seen as contours, stones,etc. Neutral colours were chosen to reflect natural muted tones, whilst the use of embossing for all the stock, and laser cutting for the hangers and packaging allow John Patrick to leave a small carbon footprint. Designed by Joe Leadbeater.
Creative director and founder Bonnie Roccelli, has over a decade of professional experience working on many high profile commercial and residential projects. Bonnie Roccelli was established in 2013 having traded under the name Bonchi Interiors since 2010. Two Times Elliott were asked to create a brand identity, including a bespoke logotype, full stationery set and responsive website.